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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190621
DTEND;VALUE=DATE:20200329
DTSTAMP:20260420T175011
CREATED:20190512T092705Z
LAST-MODIFIED:20190512T093028Z
UID:1450-1561075200-1585439999@sfeco-asso.org
SUMMARY:Céramiques gourmandes
DESCRIPTION:Céramiques gourmandes \ndu 21 juin 2019 au 28 mars 2020Fondation BernardaudLimoges \nhttps://www.bernardaud.com/fr/la-maison-bernardaud/la-fondation-d-entreprise-bernardaud \nQuand l’art devient gourmet\, gourmand et complètement baba des plaisirs de la bouche\, qu’il invente des mets\, des desserts\, des pièces montées ou des scènes de banquets\, qu’il nous met le nez dans nos assiettes\, qu’il interroge notre rapport à la nourriture (coupable\, sensuel\, problématique)\, ça donne « Céramiques Gourmandes »\, avec des artistes qui sont la crème de la crème dans le domaine de la céramique. \nCette exposition réunira 14 artistes internationaux : Chris Antemann (USA)\, Bachelot Caron (France)\, Anna Barlow (Grande- Bretagne)\, Charlotte Coquen (France)\, Christina Erives (Mexique)\, Jae Yong Kim (Corée)\, Juujuu Kim (Corée)\, Yuko \n\n\n\n\nKuramatsu (Japon)\, Kaori Kurihara (Japon)\, Shayna Leib (USA)\, Susan Nemeth (Grande-Bretagne)\, Marie Rancillac (France)\, Dong Won Shin (Corée) et Jessica Stoller (USA). \n  \n\n\nShayna Leib Gâteau aux mures © Eric Tadsen
URL:https://sfeco-asso.org/event/ceramiques-gourmandes/
LOCATION:Fondation Bernardaud\, Limoges
CATEGORIES:Activités,Exposition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190621
DTEND;VALUE=DATE:20201102
DTSTAMP:20260420T175011
CREATED:20201015T104520Z
LAST-MODIFIED:20240426T161843Z
UID:3657-1561075200-1604275199@sfeco-asso.org
SUMMARY:Théières en goguette
DESCRIPTION:Théières en goguette\, Naissance et évolution d’un art de vivre \nNée au début du 16e siècle en Chine\, la théière va connaître une diffusion fulgurante. Elle parvient en Europe par le biais des grandes Compagnies des Indes orientales\, de puissantes entreprises commerciales. Plus qu’un simple objet utilitaire\, aujourd’hui bien connu dans nos contrées\, la théière représente un art de vivre et répond à des habitudes et des coutumes qui se propageront dans les couches sociales les plus élevées. Son usage s’imposera plus largement tout au long du 18e siècle.Cette exposition\, conçue par la médiation culturelle\, fait aussi appel à vos sens. Outre la vue\, l’odorat rarement convié dans les musées est sollicité\, sans compter quelques activités autour du goût. La diversité des styles\, des décors ou des éléments ajoutés – prises\, goulots ou anses – révèlent une mode en perpétuelle évolution.
URL:https://sfeco-asso.org/event/theieres-en-goguette/
LOCATION:Musée Ariana\, Avenue de la Paix 10\, Genève\, 1202\, Suisse
CATEGORIES:Chine,Etranger,Exposition
ATTACH;FMTTYPE=image/png:https://sfeco-asso.org/wp-content/uploads/2020/10/2020-Ariana-Théières-en-goguette.png
ORGANIZER;CN="Mus%C3%A9e Ariana":MAILTO:ariana@ville-ge.ch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190724T080000
DTEND;TZID=Europe/Paris:20210131T170000
DTSTAMP:20260420T175011
CREATED:20210121T225017Z
LAST-MODIFIED:20210121T233241Z
UID:4369-1563955200-1612112400@sfeco-asso.org
SUMMARY:Kyoto: Capital of Artistic Imagination
DESCRIPTION:JULY 24\, 2019–JANUARY 31\, 2021 \nFocusing on the main turning points in the cultural history of Kyoto from ancient to modern times\, Kyoto: Capital of Artistic Imaginationplaces special emphasis on the decorative arts. Over eighty masterworks of lacquers\, ceramics\, metalwork\, and textiles from The Met collection\, including a number of recently acquired works of contemporary art are showcased. A selection of over fifty paintings by masters of various schools are accompanied by a rare fourteenth-century suit of armor\, splendid export lacquers made for the European market in the late sixteenth-century\, exquisite eighteenth-century Noh robes\, as well as austere tea wares with characteristic imperfections. \nHeian-kyō\, as modern-day Kyoto was once referred to\, became the seat of the imperial court in 794 and remained the capital of Japan until 1869\, when the court was transferred to Tokyo. The rich cultural heritage of this city was profoundly shaped by the presence of the emperor and aristocrats as well as high-ranking warriors\, varied groups of artists\, and literati working in the orbit of the palace. Buddhist temples\, Shinto shrines\, Noh theaters\, workshops of painters and lacquer artists\, ceramic kilns\, textile shops\, a flourishing tea culture\, and bustling market districts\, as well as supremely elegant architecture and gardens contributed to the advancement of the vibrant cultural life of Kyoto. \n\n\n\nThe exhibition is made possible by The Miriam and Ira D. Wallach Foundation Fund.
URL:https://sfeco-asso.org/event/kyoto-capital-of-artistic-imagination/
LOCATION:The Metropolitan Museum of Art\, 1000 Fifth Avenue New York\, NY 10028 Phone:\, New York\, NY 10028\, United States
CATEGORIES:Activités,Etranger,Exposition,Japon
ATTACH;FMTTYPE=image/png:https://sfeco-asso.org/wp-content/uploads/2020/07/TheMET-Kyoto.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190907
DTEND;VALUE=DATE:20200831
DTSTAMP:20260420T175011
CREATED:20190910T162201Z
LAST-MODIFIED:20200821T193731Z
UID:1854-1567814400-1598831999@sfeco-asso.org
SUMMARY:Sunken Treasures
DESCRIPTION:The exhibition Sunken Treasures features ceramics and other objects found aboard eight shipwrecks dating from the ninth to the nineteenth century. The ceramic treasures tell fascinating stories about the Maritime Silk Road in Asia and reveal a hitherto unknown world of international trade and exchange. \n\n\n\n\n\nShips from all over the world sailed the Maritime Silk Road for centuries in search of pepper\, silk and porcelain. Sometimes the ships that perished lie on the seabed for centuries as time capsules. The wrecks and certainly the well-preserved ceramics provide a trove of information. \nThe ship San Diego demonstrates that Spain was already a major player in international trade around 1600. It sank during a battle because it was overloaded with cannon\, ammunition and provisions. Salvage operations revealed that the San Diego contained products from all over the world. For example\, the Kraak porcelain in its hold was purchased from Chinese traders in the port of Manila. The Dutch VOC ship Witte Leeuw sank thirteen years later\, after attacking two Portuguese vessels. Greed cost the Dutch their lives: the powder room exploded and the merchandise aboard ended up at the bottom of the sea\, a great loss for the VOC. \n\n\n\n\n\n\nKraakware\, China\, early 17h century\n© Ottema-Kingma Found.
URL:https://sfeco-asso.org/event/sunken-treasures/
LOCATION:Princessehof National Museum of Ceramics\, Grote Kerkstraat 9 8911 DZ Leeuwarden\, 8900 CE Leeuwarden\, Netherlands
CATEGORIES:Etranger,Kraak,Route de la Soie
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190918
DTEND;VALUE=DATE:20200120
DTSTAMP:20260420T175011
CREATED:20191023T113010Z
LAST-MODIFIED:20200102T224031Z
UID:1954-1568764800-1579478399@sfeco-asso.org
SUMMARY:De Terre et de Soie.
DESCRIPTION:De Terre et de Soie. \ndu 18 septembre 2019 au 19 janvier 2020Fondation Baur\,Genève \nhttps://marielaureguerrier.com/portfolio/exposition-a-la-fondation-baur-a-geneve-2019-2020/ \n \n\nMarie-Laure Guerrier et In-Sook Son. Telles sont les deux créatrices contemporaines que la Fondation Baur\, a choisi de réunir durant quelques mois dans le cadre d’une rencontre inédite\, au croisement des arts de la céramique et du textile. Aux accords « culturels » et chromatiques rapprochant les deux artistes\, s’ajoutent une manière semblable et rare de jouer avec les transferts de matériaux – céramique\, textile et peinture – une soif aussi d’explorer tous les possibles de leurs métiers respectifs. \nVibrants\, séducteurs\, comme des soieries dansant avec la fluidité de l’air\, certains revêtements des pièces tournées de l’artiste française Marie-Laure Guerrier frappent par leurs aspects textiles. Aux fines toiles de porcelaine qui semblent repousser jusqu’à leurs confins les potentialités expressives de la céramique\, à la douceur des céladons\, aux émaux lumineux\, aux grès cristallisés\, l’univers de In-Sook Son\, brodeuse coréenne\, répond avec majesté\, baigné des matériaux et des couleurs traditionnels de la Corée\, par des « peintures de soie » d’une virtuosité troublante. \n\n\n\n \n\n\n\n \n\n\nMarie-Laure Guerrier\, Coupe en porcelaine
URL:https://sfeco-asso.org/event/de-terre-et-de-soie/
LOCATION:Fondation Baur\, Genève\, Suisse
CATEGORIES:Etranger,Exposition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191010
DTEND;VALUE=DATE:20200127
DTSTAMP:20260420T175011
CREATED:20191023T113323Z
LAST-MODIFIED:20191023T142651Z
UID:1957-1570665600-1580083199@sfeco-asso.org
SUMMARY:Inspired by the East
DESCRIPTION:Inspired by the East – How the Islamic world influenced western art  \ndu 10 octobre 2019 au 26 janvier 2020Bristish Museum\,London \nhttps://www.britishmuseum.org/whats_on/exhibitions/east.aspx \nCharting the fascinating history of cultural and artistic interactions between East and West\, this exhibition explores the impact the Islamic world has had on Western art for centuries.Artistic exchange between East and West has a long and intertwined history\, and the exhibition picks these stories up from the 15th century\, following cultural interactions that can still be felt today. Objects from Europe\, North America\, the Middle East and North Africa highlight a centuries- old tradition of influence and exchange from East to West. The diverse selection of objects includes ceramics\, photography\, glass\, jewellery and clothing\, as well as contemporary art\, showcasing how artistic exchange influenced a variety of visual and decorative arts. The exhibition concludes with a 21st-century perspective\, through the eyes of four female artists from the Middle East and North Africa who continue to question and subvert the idea of Orientalism in their work and explore the subject of Muslim female identity. \nThe show takes a deeper look at the art movement of ‘Orientalism’ – specifically the way in which North Africa and the Middle East were represented as lands of beauty and intrigue\, especially in European and North American art. Often blurring the lines between fantasy and reality\, Orientalist art reached its heyday in the mid-1800s\, as Europeans and North Americans were looking overseas to fundamentally learn more about other cultures\, but its popularity had faded by the 1940s with the decline of the British Empire. \n\n\n \n\n\nGlazed and gilded pottery dish\, Iznik\, Turkey. Ottoman dynasty\, 1601– 1625.
URL:https://sfeco-asso.org/event/1957/
LOCATION:British Museum\, London\, United Kingdom
CATEGORIES:Arabo-Musulmane,Etranger,Exposition
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