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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190621
DTEND;VALUE=DATE:20201102
DTSTAMP:20260404T153332
CREATED:20201015T104520Z
LAST-MODIFIED:20240426T161843Z
UID:3657-1561075200-1604275199@sfeco-asso.org
SUMMARY:Théières en goguette
DESCRIPTION:Théières en goguette\, Naissance et évolution d’un art de vivre \nNée au début du 16e siècle en Chine\, la théière va connaître une diffusion fulgurante. Elle parvient en Europe par le biais des grandes Compagnies des Indes orientales\, de puissantes entreprises commerciales. Plus qu’un simple objet utilitaire\, aujourd’hui bien connu dans nos contrées\, la théière représente un art de vivre et répond à des habitudes et des coutumes qui se propageront dans les couches sociales les plus élevées. Son usage s’imposera plus largement tout au long du 18e siècle.Cette exposition\, conçue par la médiation culturelle\, fait aussi appel à vos sens. Outre la vue\, l’odorat rarement convié dans les musées est sollicité\, sans compter quelques activités autour du goût. La diversité des styles\, des décors ou des éléments ajoutés – prises\, goulots ou anses – révèlent une mode en perpétuelle évolution.
URL:https://sfeco-asso.org/event/theieres-en-goguette/
LOCATION:Musée Ariana\, Avenue de la Paix 10\, Genève\, 1202\, Suisse
CATEGORIES:Chine,Etranger,Exposition
ATTACH;FMTTYPE=image/png:https://sfeco-asso.org/wp-content/uploads/2020/10/2020-Ariana-Théières-en-goguette.png
ORGANIZER;CN="Mus%C3%A9e Ariana":MAILTO:ariana@ville-ge.ch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190724T080000
DTEND;TZID=Europe/Paris:20210131T170000
DTSTAMP:20260404T153332
CREATED:20210121T225017Z
LAST-MODIFIED:20210121T233241Z
UID:4369-1563955200-1612112400@sfeco-asso.org
SUMMARY:Kyoto: Capital of Artistic Imagination
DESCRIPTION:JULY 24\, 2019–JANUARY 31\, 2021 \nFocusing on the main turning points in the cultural history of Kyoto from ancient to modern times\, Kyoto: Capital of Artistic Imaginationplaces special emphasis on the decorative arts. Over eighty masterworks of lacquers\, ceramics\, metalwork\, and textiles from The Met collection\, including a number of recently acquired works of contemporary art are showcased. A selection of over fifty paintings by masters of various schools are accompanied by a rare fourteenth-century suit of armor\, splendid export lacquers made for the European market in the late sixteenth-century\, exquisite eighteenth-century Noh robes\, as well as austere tea wares with characteristic imperfections. \nHeian-kyō\, as modern-day Kyoto was once referred to\, became the seat of the imperial court in 794 and remained the capital of Japan until 1869\, when the court was transferred to Tokyo. The rich cultural heritage of this city was profoundly shaped by the presence of the emperor and aristocrats as well as high-ranking warriors\, varied groups of artists\, and literati working in the orbit of the palace. Buddhist temples\, Shinto shrines\, Noh theaters\, workshops of painters and lacquer artists\, ceramic kilns\, textile shops\, a flourishing tea culture\, and bustling market districts\, as well as supremely elegant architecture and gardens contributed to the advancement of the vibrant cultural life of Kyoto. \n\n\n\nThe exhibition is made possible by The Miriam and Ira D. Wallach Foundation Fund.
URL:https://sfeco-asso.org/event/kyoto-capital-of-artistic-imagination/
LOCATION:The Metropolitan Museum of Art\, 1000 Fifth Avenue New York\, NY 10028 Phone:\, New York\, NY 10028\, United States
CATEGORIES:Activités,Etranger,Exposition,Japon
ATTACH;FMTTYPE=image/png:https://sfeco-asso.org/wp-content/uploads/2020/07/TheMET-Kyoto.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191126
DTEND;VALUE=DATE:20210722
DTSTAMP:20260404T153332
CREATED:20191023T115307Z
LAST-MODIFIED:20210913T102912Z
UID:1966-1574726400-1626911999@sfeco-asso.org
SUMMARY:Lost at sea
DESCRIPTION:Lost at sea: Art recovered from shripwrecks  \nA fierce three-headed serpent and a mysterious female deity were among the nearly two dozen 12th-century stone reliefs from Central Vietnam that lay unseen at the bottom of the Arabian Sea for nearly 120 years. Almost 5\,000 miles away in the South China Sea\, blue-and-white ceramic bowls\, plates and jars rested in the hold of a sunken ship off the coast of Vietnam for more than five centuries. \nPreserved like time capsules under the seas\, these shipwrecks contained artworks that were excavated in the 1990s by marine archaeologists\, sold at auction\, purchased by individual collectors and then donated to the museum. By tracing the pathways of these objects\, from Vietnam to the ocean floor to San Francisco\, Lost at Sea: Art Recovered from Shipwrecks asks questions about how artworks enter museum collections. What does the provenance of an object reveal? What can art salvaged from the sea tell us about trade and the colonial enterprise? Who is entitled to centuries-old artworks recovered from shipwrecks? Should they even be excavated\, or should vessels and their contents be left in situ for future generations? The ceramics are from a trading vessel that sank in the 15th century off Vietnam’s Hoi An coast with a cargo of more than 250\,000 ceramic objects made for export. After fishermen began to find porcelain shards in their nets in the 1990s\, a government-sanctioned commercial salvage operation brought up the cache\, dubbed the Hoi An Hoard. \nThe stone sculptures\, relics of the Cham culture that thrived along the coast of Central Vietnam from the 5th to the 15th century\, had been carted off from a ruined temple by a French colonial officer in the 19th century. The two works in the museum collection are from a group of 21 that were on their way to France when the steamer they were on sank off the coast of Somalia in 1877. Almost all passengers and crew were saved\, but the stone sculptures\, apparently too heavy to transport to shore\, were left in the wreckage; they were finally retrieved in 1995.\nThe exhibition includes artifacts from these two shipwrecks\, including a slowly disintegrating concretion of objects from the Hoi An Hoard\, along with maps and other materials that invite consideration of how artworks travel across time and cultures. \nArticle sur l’exposition \nhttps://news.artnet.com/exhibitions/asian-art-museum-shipwrecks-1643746? fbclid=IwAR0q1vJOBcdBwfcLujC8LFqbSBuFZPcaBHfKzmMrHuB33NOeSUlgUhapfTU#.XanQxDPkskc.facebook
URL:https://sfeco-asso.org/event/1966/
LOCATION:Asian Art\, 200 Larkin St\, San Francisco\, CA 94102\, USA
CATEGORIES:Asie,Etranger,Exposition
ATTACH;FMTTYPE=image/jpeg:https://sfeco-asso.org/wp-content/uploads/2020/07/Lost-at-Sea_Hero-1-500x300-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200602
DTEND;VALUE=DATE:20201109
DTSTAMP:20260404T153332
CREATED:20200719T182625Z
LAST-MODIFIED:20201015T105437Z
UID:3003-1591056000-1604879999@sfeco-asso.org
SUMMARY:Tenmoku―The Beauty of Chinese Black-Glazed Ware
DESCRIPTION:A large number of tenmoku tea bowls produced in China have been handed down in collections in Japan. The tea bowls known as Yohen Tenmoku (tea bowl with iridescent glaze) and Yuteki Tenmoku (tea bowl with oil-spot pattern)\, which have been drawing public attention both inside and outside Japan in recent years\, are the greatest masterpieces of black-glazed ware produced at the Jian kilns in the Song dynasty. The only example of Yuteki Tenmoku designated as a National Treasure among those being handed down in Japan is housed in the collection of our museum.\nThis exhibition focuses on Chinese black-glazed ware\, particularly tenmoku tea bowls\, which is an important ceramic tradition within the history of Chinese ceramics. It showcases twenty-four works from the Tang through the Song and Jin dynasties\, mainly in our collection along with several works from private collections\, which represent the world as well as the beauty of Chinese black-glazed ware.\nWe are also showing the Featured Exhibition “Modern Tenmoku—Tradition and Creativity”\, which introduces diverse expressions combining the tradition with individual creativity through tenmoku works produced by modern and contemporary artists.
URL:https://sfeco-asso.org/event/tenmoku%e2%80%95the-beauty-of-chinese-black-glazed-ware/
LOCATION:MOCO-The Museum of Oriental Ceramics\, Osaka\, Osaka\, Japon
CATEGORIES:Chine,Etranger,Exposition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200721T080000
DTEND;TZID=Europe/Paris:20220721T170000
DTSTAMP:20260404T153332
CREATED:20200721T192504Z
LAST-MODIFIED:20220121T142409Z
UID:3323-1595318400-1658422800@sfeco-asso.org
SUMMARY:Ancient Chinese Porcelain Art
DESCRIPTION: \n\nDate: On Regular Display\nVenue: Gallery N17\n\nEnjoying a long history\, Chinese pottery and porcelain run through Chinese civilization without interruption: painted or black pottery in the prehistoric times was followed by white pottery and glazed pottery in the Shang and Zhou Dynasties; in later dynasties\, celadon\, white-glazed porcelain\, and porcelain with overglaze or underglaze colours and coloured glaze were created\, as well as glazed ware\, ceramics with contour-raised design (fahua)\, zishaware\, etc. \nThe National Museum of China boasts a rich collection of porcelains\, and over 100 pieces (sets) of them are selected to be on display. The exhibition consists of three sections\, namely « Porcelain with Coloured Glaze »\, « Porcelain with Underglaze Colours »\, and « Porcelain with Overglaze Colours ». \nThe exhibits span from the Western Zhou Dynasty to the late Qing Dynasty. Among them\, there are several masterpieces in the history of ceramics\, for example\, the celadon zun covered with lotus designs of the Southern and Northern Dynasties\, the olive-green porcelain of the Tang Dynasty\, the blue-and-white jar with cloud-and-dragon design of the Yuan Dynasty\, the blue-and-white dish with peony-branch design and folded rim of Emperor Yongle’s reign (1402-1424) of the Ming Dynasty\, the cloisonné enamel vase with a garlic-shaped mouth and interlaced flower design of Emperor Kangxi’s reign (1661-1722)\, the famille-rose dish with peach branch design of Emperor Yongzheng’s reign (1722-1735)\, and the blue-and-white hexagonal vase with fruit and floral sprays of Emperor Qianlong’s reign (1735-1796) of the Qing Dynasty.
URL:https://sfeco-asso.org/event/ancient-chinese-porcelain-art/
LOCATION:National Museum of China\, No. 16 East Chang'an Street\, Dongcheng District\,\, Beijing\, 100006
CATEGORIES:Chine,Etranger,Exposition
ATTACH;FMTTYPE=image/jpeg:https://sfeco-asso.org/wp-content/uploads/2020/07/National-Museum-of-China-ancient-chinese-porcelain.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201021
DTEND;VALUE=DATE:20210921
DTSTAMP:20260404T153332
CREATED:20201129T201932Z
LAST-MODIFIED:20211121T233324Z
UID:4200-1603238400-1632182399@sfeco-asso.org
SUMMARY:L’Asie Maintenant
DESCRIPTION:L’Asie Maintenant\nDans le cadre de « L’Asie Maintenant »\, le MNAAG présente une sélection d’œuvres d’artistes contemporains japonais travaillant la vannerie à partir du bambou. \nCette présentation a lieu grâce à la collaboration entre la Galerie Mingei Japanese Arts et le Musée national des arts asiatiques – Guimet. Le Mingei Bamboo Prize permet de faire valoir la technique de vannerie japonaise en bambou à travers le monde et de mettre en avant cet art traditionnel de tressage. \nEn 2020\, le Mingei Bamboo Prize prend place au 2eétage du MNAAG par une présentation de 11 œuvres sélectionnées sur un total de 27. Un jury présidé par Sophie Makariou se réunira autour de ces œuvres afin de désigner le lauréat qui recevra un prix de 5000 euros financé par la Galerie Mingei. Avant la décision du jury\, un prix du public sera mis en place dans la salle d’exposition grâce à un dispositif de vote numérique. \nPour compléter cette présentation\, des œuvres de vannerie également en bambou ainsi que des œuvres reprenant l’art ancestral de la composition florale sont présentées. Les arrangements floraux ikebanas sont réalisés par l’artiste ikebaniste Ryu Kubota de l’école Sogetsu. L’un des ikebanas prend place dans le hall d’entrée et l’autre dans le narthex du 2eétage qui est renouvelé chaque semaine par l’artiste.
URL:https://sfeco-asso.org/event/lasie-maintenant-2/
LOCATION:Musée national des arts asiatiques – Guimet\, 6\, place d'Iéna\, Paris\, 75116\, France
CATEGORIES:Asie,Exposition
ATTACH;FMTTYPE=image/jpeg:https://sfeco-asso.org/wp-content/uploads/2020/11/MNAAG_2020_exposition-affiche-Asie-Maintenant-low.jpg
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