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DTSTART;VALUE=DATE:20191126
DTEND;VALUE=DATE:20210722
DTSTAMP:20260422T234635
CREATED:20191023T115307Z
LAST-MODIFIED:20210913T102912Z
UID:1966-1574726400-1626911999@sfeco-asso.org
SUMMARY:Lost at sea
DESCRIPTION:Lost at sea: Art recovered from shripwrecks  \nA fierce three-headed serpent and a mysterious female deity were among the nearly two dozen 12th-century stone reliefs from Central Vietnam that lay unseen at the bottom of the Arabian Sea for nearly 120 years. Almost 5\,000 miles away in the South China Sea\, blue-and-white ceramic bowls\, plates and jars rested in the hold of a sunken ship off the coast of Vietnam for more than five centuries. \nPreserved like time capsules under the seas\, these shipwrecks contained artworks that were excavated in the 1990s by marine archaeologists\, sold at auction\, purchased by individual collectors and then donated to the museum. By tracing the pathways of these objects\, from Vietnam to the ocean floor to San Francisco\, Lost at Sea: Art Recovered from Shipwrecks asks questions about how artworks enter museum collections. What does the provenance of an object reveal? What can art salvaged from the sea tell us about trade and the colonial enterprise? Who is entitled to centuries-old artworks recovered from shipwrecks? Should they even be excavated\, or should vessels and their contents be left in situ for future generations? The ceramics are from a trading vessel that sank in the 15th century off Vietnam’s Hoi An coast with a cargo of more than 250\,000 ceramic objects made for export. After fishermen began to find porcelain shards in their nets in the 1990s\, a government-sanctioned commercial salvage operation brought up the cache\, dubbed the Hoi An Hoard. \nThe stone sculptures\, relics of the Cham culture that thrived along the coast of Central Vietnam from the 5th to the 15th century\, had been carted off from a ruined temple by a French colonial officer in the 19th century. The two works in the museum collection are from a group of 21 that were on their way to France when the steamer they were on sank off the coast of Somalia in 1877. Almost all passengers and crew were saved\, but the stone sculptures\, apparently too heavy to transport to shore\, were left in the wreckage; they were finally retrieved in 1995.\nThe exhibition includes artifacts from these two shipwrecks\, including a slowly disintegrating concretion of objects from the Hoi An Hoard\, along with maps and other materials that invite consideration of how artworks travel across time and cultures. \nArticle sur l’exposition \nhttps://news.artnet.com/exhibitions/asian-art-museum-shipwrecks-1643746? fbclid=IwAR0q1vJOBcdBwfcLujC8LFqbSBuFZPcaBHfKzmMrHuB33NOeSUlgUhapfTU#.XanQxDPkskc.facebook
URL:https://sfeco-asso.org/event/1966/
LOCATION:Asian Art\, 200 Larkin St\, San Francisco\, CA 94102\, USA
CATEGORIES:Asie,Etranger,Exposition
ATTACH;FMTTYPE=image/jpeg:https://sfeco-asso.org/wp-content/uploads/2020/07/Lost-at-Sea_Hero-1-500x300-1.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201021
DTEND;VALUE=DATE:20210921
DTSTAMP:20260422T234635
CREATED:20201129T201932Z
LAST-MODIFIED:20211121T233324Z
UID:4200-1603238400-1632182399@sfeco-asso.org
SUMMARY:L’Asie Maintenant
DESCRIPTION:L’Asie Maintenant\nDans le cadre de « L’Asie Maintenant »\, le MNAAG présente une sélection d’œuvres d’artistes contemporains japonais travaillant la vannerie à partir du bambou. \nCette présentation a lieu grâce à la collaboration entre la Galerie Mingei Japanese Arts et le Musée national des arts asiatiques – Guimet. Le Mingei Bamboo Prize permet de faire valoir la technique de vannerie japonaise en bambou à travers le monde et de mettre en avant cet art traditionnel de tressage. \nEn 2020\, le Mingei Bamboo Prize prend place au 2eétage du MNAAG par une présentation de 11 œuvres sélectionnées sur un total de 27. Un jury présidé par Sophie Makariou se réunira autour de ces œuvres afin de désigner le lauréat qui recevra un prix de 5000 euros financé par la Galerie Mingei. Avant la décision du jury\, un prix du public sera mis en place dans la salle d’exposition grâce à un dispositif de vote numérique. \nPour compléter cette présentation\, des œuvres de vannerie également en bambou ainsi que des œuvres reprenant l’art ancestral de la composition florale sont présentées. Les arrangements floraux ikebanas sont réalisés par l’artiste ikebaniste Ryu Kubota de l’école Sogetsu. L’un des ikebanas prend place dans le hall d’entrée et l’autre dans le narthex du 2eétage qui est renouvelé chaque semaine par l’artiste.
URL:https://sfeco-asso.org/event/lasie-maintenant-2/
LOCATION:Musée national des arts asiatiques – Guimet\, 6\, place d'Iéna\, Paris\, 75116\, France
CATEGORIES:Asie,Exposition
ATTACH;FMTTYPE=image/jpeg:https://sfeco-asso.org/wp-content/uploads/2020/11/MNAAG_2020_exposition-affiche-Asie-Maintenant-low.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210426T080000
DTEND;TZID=Europe/Paris:20250426T170000
DTSTAMP:20260422T234635
CREATED:20210426T060000Z
LAST-MODIFIED:20220410T140204Z
UID:5113-1619424000-1745686800@sfeco-asso.org
SUMMARY:Guimet underground
DESCRIPTION:Porcelaines\, textiles\, papier… plongez au cœur des coulisses du musée\, visitez les réserves et découvrez certaines des plus belles œuvres conservées au MNAAG à travers cette série de vidéos \nUne série de 34 vidéos \, parmi lesquelles \n– La réserve Asie du Sud-Est \n– La réserve de porcelaines chinoises \n– Les voyages dans le sud de l’empereur Qianlong \n– L’archéologie chinoise \n>vers « Guimet Underground »
URL:https://sfeco-asso.org/event/guimet-underground/
LOCATION:guimet
CATEGORIES:Asie,Média
ATTACH;FMTTYPE=image/jpeg:https://sfeco-asso.org/wp-content/uploads/2021/04/2021_Guimet_underground_–_Guimet-250px.jpg
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